BATE, GIRA, GINGA, SAMBA:
o corpo-samba-território como uma categoria de análises decoloniais entre Direito, Arte e Território
DOI:
https://doi.org/10.55028/cesc.v1i31.23305Abstract
The samba-body-territory emerges as a phenomenon that escapes neoliberal rationality and colonialism, positioning itself as a form of resistance against the existential flattening imposed by the modern scientific paradigm. When collectively inscribed through the samba circle, the body activates space, territorializing it as an affirmation of life: to exist, (re)exist, and resist. This theoretical research, grounded in articles and books, investigates the potential of the samba-body-territory as a decolonial force. Functioning both as metaphor and method, it contributes to interdisciplinary dialogues among Law, Art, and Territory, while also offering a lens to perceive the Other and their alternative worldviews. Ultimately, the study suggests that this category retrieves the dimension of the yet-to-come. Drawing from Derridean deconstruction and the ethics of alterity, the samba-body-territory is seen as a living metaphor for the deconstruction of colonial normativities—embodying, in rhythm and movement, a democracy still to come.
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Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial 4.0 Internacional.




