Midjourney, the 'death' of art, and its impact on language education in a postdigital perspective
DOI:
https://doi.org/10.55028/edutec.v6i1.25053Keywords:
Artificial intelligence, Language education, Postdigital age, Digital colonialism, Meaning makingAbstract
This article examines the controversies surrounding the use of generative artificial intelligence in artistic production, focusing on the image Théâtre d’opéra spatial, created via Midjourney, and its broader implications for language education in a postdigital context. It investigates the tensions raised by claims of the “death of art” and explores how AI challenges conventional understandings of authorship, creativity, and artistic legitimacy. The study aims to analyze the discursive, ideological, and epistemological dimensions embedded in AI-generated content and their influence on educational practices. Adopting a critical hermeneutic orientation grounded in poststructuralist, Bakhtinian, and postdigital theoretical frameworks, the article reflects on language, discourse, digital literacies, and digital colonialism. The analysis reveals that debates on AI in art and education involve not only technological innovation but also disputes over power relations, epistemic hierarchies, and meaning-making processes. The discussion demonstrates that AI technologies operate within broader structures of digital capitalism and coloniality, reinforcing social inequalities related to language, race, gender, and access to knowledge. In the field of language education, the article advocates for a critical pedagogical stance that promotes discursive awareness, ethical engagement, and the interrogation of implicit language policies present in AI adoption. It concludes that language education plays a key role in fostering students’ critical agency, enabling them to reflect on and respond to the sociocultural and ideological forces shaping digital technologies.
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